Process shot for "Limits & Sanctuary"
Process shot for "Limits & Sanctuary"

This image demonstrates my most recent methods toward establishing a composition for large scale works. I created life-size ink drawings on newsprint, taped them together, and cut them to begin worlding an environment.

Ink on newspaper. 2019. Approx. 7ft x 7 ft

Limits & Sanctuary, 2021
Limits & Sanctuary, 2021

5ft by 6 ft

Oil on canvas

Between Worlds (diptych), 2021
Between Worlds (diptych), 2021

Approx. 40 in. by 90 in.

Acrylic and ink on silk glued to wooden panel

 Ink on Fabric, 2020

Ink on Fabric, 2020

 Flyer for two person show with sculptor Kristen Newell.

Flyer for two person show with sculptor Kristen Newell.

Ancestors of Maize, 2018-2020
Ancestors of Maize, 2018-2020

Approx. 7ft. by 10 ft.

Ink on fabric

In face of GMO mono-culture cultivation of maize, this painting is an ode to a nearly endangered way of relating to maize and the living world as a dynamically rich and interwoven system of relations. The ambiguous figure lies in a passive reverie, chthonicly enmeshed between the micro (roots) and macro (milky way galaxy).

Chthonic Memory, 2018
Chthonic Memory, 2018

3.5 ft. by 4 ft.

Collage, hand-made inks and paints, and pencil on paper.

Process shot for "Limits & Sanctuary"
Limits & Sanctuary, 2021
Between Worlds (diptych), 2021
 Ink on Fabric, 2020
 Flyer for two person show with sculptor Kristen Newell.
Ancestors of Maize, 2018-2020
Chthonic Memory, 2018
Process shot for "Limits & Sanctuary"

This image demonstrates my most recent methods toward establishing a composition for large scale works. I created life-size ink drawings on newsprint, taped them together, and cut them to begin worlding an environment.

Ink on newspaper. 2019. Approx. 7ft x 7 ft

Limits & Sanctuary, 2021

5ft by 6 ft

Oil on canvas

Between Worlds (diptych), 2021

Approx. 40 in. by 90 in.

Acrylic and ink on silk glued to wooden panel

Ink on Fabric, 2020

Flyer for two person show with sculptor Kristen Newell.

Ancestors of Maize, 2018-2020

Approx. 7ft. by 10 ft.

Ink on fabric

In face of GMO mono-culture cultivation of maize, this painting is an ode to a nearly endangered way of relating to maize and the living world as a dynamically rich and interwoven system of relations. The ambiguous figure lies in a passive reverie, chthonicly enmeshed between the micro (roots) and macro (milky way galaxy).

Chthonic Memory, 2018

3.5 ft. by 4 ft.

Collage, hand-made inks and paints, and pencil on paper.

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